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Piano Sonata No.1 in C major, K.279/189d. Piano Sonata No.2 in F major, K.280/189e. Piano Sonata No.3 in B-flat major, K.281/189f.
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Performed by Romuald Greiss on an 1850 piano Problems playing this file? The last movement, marked Alla turca, popularly known as the 'Turkish Rondo' or 'Turkish March', is often heard on its own and is one of Mozart's best-known piano pieces.
Mozart himself titled the rondo 'Alla turca'. It imitates the sound of, the music of which was much in vogue at that time. Various other works of the time imitate this, including Mozart's own opera. In Mozart's time, the last movement was sometimes performed on pianos built with a ', allowing it to be embellished with extra percussion effects.
The third movement is a in the form A–B–C–D–E–C–A–B–C–, with each section (except the coda) being repeated. Beginning of the third movement. Section A: This, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a eighth-note. It is eight measures long. Section B: This section introduces new material in a melody in thirds and eighth notes before varying the A section with a before falling back to piano.
Section C: A march in octaves over an chord accompaniment. The key changes to A major. Section D: A continuous sixteenth note melody over a broken-chord accompaniment. This section is in. Section E: A forte -like theme followed by a modification of section D. Coda: A forte theme consisting mostly of chords (arpeggiated and not) and octaves.
There is a brief piano restatement of the theme in the middle of the coda. The movement ends with alternating A and C ♯ octaves followed by two A-major chords.
Relationships to later compositions The theme of the first movement was used by in his (1914) for orchestra. 's ' (1959) is not based on or related to the last movement. 2014 autograph discovery In 2014, a Hungarian librarian discovered four pages of Mozart's original score (autograph) of the sonata in Budapest's. Until then, only the last page of the autograph survived. The paper and handwriting of the four pages matched that of the final page of the score, held in Salzburg.
The original score is close to the first edition, published in 1784. However, in the first movement, in bars 5 and 6 of Variation V, the rhythm of the final eight note of the bar was altered by various editions throughout time. In the menuetto, the last quarter beat of bar 3 is a C-sharp in most editions, but in the autograph an A is printed. Gave the first performance of the discovered score in September 2014. References.
Irving, John (2013). Robins, Brian. Retrieved 1 June 2011. John Thompson's Modern Course for the Piano: The Fifth Grade Book.
The Willis Music Company; Cincinnati, Ohio, 1952. Schmidt-Jones, Catherine., 10 May 2010., presented by Walter Parker, 19 March 2012. to, notnowmusic.com. (1 October 2014).
The New York Times. Retrieved 12 January 2018. 27 September 2014. Archived from on 2014-10-09. Retrieved 2015-02-14.
External links Wikimedia Commons has media related to. Sonate in A KV 331: and (in German) in the.: Scores at the (IMSLP). at. of Piano Sonata No. 11 from Cantorion.org. on.
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